Village Blog | Nature's Art Village

1650 Hartford-New London Turnpike, Montville, CT 06370


Nature's Art Village & The Dinosaur Place: 860-443-4367
The PAST & The Gateway Museum:860-437-3615


Bronze Antiques

Today we journey to the east, and nearly 7,000 years back in time, to when man first began to use and implement a rudimentary material of modern day: metal. Following the previous Paleolithic and Neolithic Eras, humankind transitioned into the mythological “Third Age of Man”, also known as the Bronze Age. Historically, the western Bronze Age is narrowed down to about 3000 BCE, however evidence from the Middle East, China, and even Serbia show primitive metallurgy production 1500-2000 years prior to that date.

Bronze is described as any alloy which is 85-95% copper with the remainder composed of tin and, often during ancient times, arsenic was added to the mix.  The oldest tin-alloy bronze artifacts are axe heads that were discovered in Serbia, dating to 4500 BCE, indicating a shift from stone tools and weapons to the new durable bronze alloy.

One thousand years later, in approximately 3500 BCE, bronze tools and statuettes began appearing in the Tigris and Euphrates River Valley of Iraq, used by the Ancient Sumerian people. Bronze in this region was most likely found when tin-rich stones were gathered for campfires, and the heat from the flames melted and mixed the metal components contained in the rocks. There were two main forms of bronze used during this age; the first was “classic bronze” (10% tin) and the second, “mild bronze” (6% tin). Classic bronze was used for casting weapons and tools, whereas mild bronze was hammered into sheets for helmet and armor production.

During the middle of the Bronze Age, between 2500-1500 BCE, casting methods became so advanced that large scale statues and ship fittings were readily manufactured from molds made of sand, wax, stone and clay. In Ancient Greek culture, bronze sculptures were regarded as the highest form of art; however, few pieces have survived, unlike their Roman marble copies. Bronze had numerous applications throughout the ancient world, including mirrors, musical instruments, bells, building materials, coins, and ceremonial relics.

The Bronze Age wrapped up around the end of the first millennium BCE, when the more abundant metal ore, iron, replaced the costly and much scarcer bronze ore.  Bronze still saw use during the Iron Age into Late Antiquity, as bronze is less vulnerable to corrosion than iron, and does not spark when struck against metal surfaces. During the Dark Ages, most bronze art from the Classical Period was either destroyed or melted to build additional weapons for the barbarian conquerors of the former Roman Empire. With the discovery of gunpowder in 9th century China, bronze was once again implemented in the creation of cannons, and by the 13th century, bronze cannons began seeing action on the battlefields of Europe.

In modern times, we associate bronze with the third place position in sporting competitions, which was introduced during the 1904 St. Louis Summer Olympics. The PAST Antiques Marketplace at Nature’s Art Village houses several examples of antique bronze artifacts. To learn more about bronze and other ancient metallurgy, visit The PAST Antiques Marketplace on Route 85 in Montville, Connecticut.

Check back next week for a new Throwback Thursday post.

Inkwells

Inkwells are used by writers and artists to hold ink for use with quill pens, dip pens and brushes. Ancient Egyptian scribes used small pieces of stone with hollows in them to hold their various colors of ink, as well as to mix the powders and solvents used to make ink. These developed over the years into larger clay containers and eventually fitted with a lid to protect the ink from spills and evaporation.

In Europe a scribe would do the task of corresponding for the aristocrats, as it was considered to be menial work. Inkwells remained basic until the Middle Ages when gold and silver styles first appeared. The 17th century baroque style brought heavily decorated inkwells. Baroque, a French word, roughly translates to: elaborate with details.

In the 1700’s liquid ink was manufactured and sold in wide bottom glass inkwells. The wide bottoms helped to prevent spills. Further developed during the American Civil War, small, portable, lidded screw-top and clasp-top inkwells were provided to soldiers. Quill and dip style pens were used well into the early 1900’s. You may recall seeing old wooden school desks with the hole in the top for the inkwell. Although pencils became more accessible in the early 1900’s these desks with the holes for inkwells were used in rural schools until the 1950’s. In the 1940’s the ball point pen was invented and this allowed the public access to affordable pens that were less messy and easier to use. Quill pens are still used by artists as it is the only way to truly achieve the desired scroll work effect.

Ornate and extravagant inkwells are highly collectible and are found in a large variety of styles. Inkwells are designed to be more of a decorative showpiece, not often made to carry around, but to display and hold ink in a stylish way. Inkwells can be made of various materials including glass, soapstone, onyx, marble, porcelain, horn, cast iron, ceramic, Bakelite, silver, gold, brass and pewter. Inkwells often feature a pen rest, some incorporate calendars or hinged compartments, and more modern inkwells can have lamps attached.

The PAST Antiques Marketplace at Nature’s Art Village has a wide selection of antique inkwells, ink bottles, pens and supplies. Visit The PAST Antiques on Route 85 in Montville, Connecticut to see our full selection of antiques and vintage collectibles.

Check back next week for a new Throwback Thursday post.

Antique Baby Carriages – 1848

Before strollers, parents were constantly inventing new ways to carry infant children around with them as they go about their day. Native Americans would hang cradle boards from a travois, a wooden sled-like frame, which was pulled by a horse when traveling. During the 1700’s, royal children were pulled along by a mini horse or goat in fancy shell-shaped baskets on wheels.

Charles Burton invented the “pram” in 1848 in New York City. The pram, short for perambulator, is a 4-wheeled cart with an infant’s bed that the baby is laid down in facing the person pushing as so to keep an eye on the baby’s face. The idea did not catch on, the public at the time felt it was not safe and too many pedestrians were being hit with carriages on the busy streets. Burton went back to England where he opened up factories to build his prams that became popular with royal families in Europe. Queen Victoria, the mother of nine children, ordered three. Prams, and other baby carriages, could be quite ornate with detailed decorations. Some applied the family crest to the side and many had fancy parasols and upholstery. These early carts and carriages were bulky and dangerous, resulting in accidents that injured and sometimes killed the young children.

It was ten years later in 1858 that two cousins, F. A & F.W. Whitney, opened the first American baby carriage factory in Leominster, Massachusetts. This area of town where the factory was located is now known as the F.A. Whitney Carriage Company Complex Historic District. The Whitney baby carriage motto was “Fashioned for Baby… in fashion for you”. Enhancements to the original carriage designs, such as brakes, better suspension and hoods that could be retracted, made baby carriages more popular over the next few years.

Antique prams and baby carriages are very stylish and still able to be used with care. They make great collector pieces as they often feature intricate designs. Wicker baby carriages sold for between $2.50 and $33.50 before World War II. Antique prams available today range in price depending on their age, condition and how ornate they are. A small plain pram runs about $75, antique wicker baby carriages go for $150 – $250, and more detailed carriages can cost far more. The PAST Antiques Marketplace at Nature’s Art Village has antique F.A. Whitney Company prams and baby carriages available, as well as other antique and vintage children’s accessories. Visit The PAST Antiques on Route 85 in Montville, Connecticut to see our full selection of antiques and vintage collectibles.

Check back next week for a new Throwback Thursday post.

Curling Irons – 1866

This week’s Throwback Thursday examines an interesting invention in hairstyle, the curling iron! In 1866, Hiram Maxim obtained the first patent for a hair curling iron. This, however, was not the first curling device. Throughout history as we see in the ancient carving and artwork left behind, ancient peoples cared about the style of their hair. It was no secret that you could apply heat to a lock of hair and shape it. The trick was not to overheat and scorch the hair. The first curlers were metal cylinders heated over an open fire and temperatures were nearly impossible to determine and control. Many of the historically popular hair styles involved curled hair. Babylonian men dyed their hair black and crimped and curled their beards with curling irons. Persian nobles were also known to curl their beards. Many cultures including the Egyptians used bronze curling tongs.

Curling irons were not only for use on a person’s actual hair; it soon became more customary and hygienic to shave one’s head and use fancy wigs and perukes. During the 17th & 18th centuries, hair dressing became a very popular profession though it typically was the styling of wigs. The wigs were worn by the wealthy elite and styled with curls using curling tongs. Marie Antoinette, Queen of France in 1770, did not like wigs and began the fashion of curling natural hair and supplementing with pre-curled hair pieces and readymade clips with attached curls.

Vintage curling irons were often referred to as curling tongs as they resemble a pair of tongs or needle nose pliers. The wooden handle of the curling iron remained a safe temperature to touch the metal end was heated and consisted of two pieces that hair could be clamped between or a single piece of metal that hair would wrap around. Crimping irons crimp hair in a saw-tooth-style iron.

Many 19th century local blacksmiths would make curling irons for the wealthy ladies in town. Antique cast iron curling irons stands attached to the gas unit on a stove. The inner metal rod would heat up and the curling tongs were laid across to heat.

Coal oil curling iron furnaces allowed women to use a curler in the privacy of their room. Coal oil was the first clean burning fuel. Brass box style coal oil furnaces were used in place of a stove. The advent of electricity brought electric curling devices. Modern curling irons are now made of a variety of materials including Teflon, titanium and other metals, ceramic, and even tourmaline.

Antique and vintage hairdressing tools are highly collectable. Rare curling tongs are worth several hundred dollars. Barbering accessories are diverse, interesting and are beautiful to display. The PAST Antique Marketplace at Nature’s Art Village has antique straight edge razors, shaving mugs and more available for sale. The Razor Sharp Barber Shop exhibit inside The Gateway Museum at Nature’s Art Village has an extensive collection of antique curling irons, barber shop and hairdressing tools and supplies. Visit The PAST Antiques on Route 85 in Montville, Connecticut to see our full selection of antiques and vintage collectibles.

Check back next week for a new Throwback Thursday post.

Butterfly ArtJune 14, 2017

Butterfly Art

Nature’s Art Village has quite the selection of stunningly brilliant butterfly art. These beautifully framed butterflies from Peru come in a variety of sizes and colors. The frames come in black or natural wood and display single or multiple butterflies. The most unique quality of the butterfly art is that the glass pane allows for admiration of both sides of the butterflies – often times the backside of a butterfly is just as magnificent as the front and is usually a different variation of colors.

The best part is no butterflies are harmed in the making of these beautiful works of art! Butterflies have a relatively short lifespan. These specific butterflies are raised on a farm and are collected only after dying naturally.

Nature’s Art Village has over 32 different species of butterflies on display including a particularly striking butterfly named Morpho Didius; this butterfly is an iridescent shade of royal blue. Another popular butterfly species carried at Nature’s Art Village is Morpho Sulkowskyi, a cream-colored butterfly with brown edges and iridescence resembling the beauty of moonstone.

Butterfly art is not the only use for these beautiful creatures. Nature’s Art Village also carries a one-of-a-kind selection of butterfly wing jewelry. The jewelry often features the same traits, with each side of the pendants or earrings displaying a very unique color pattern of the butterfly’s wings.

These magnificent butterflies can make for great gifts, interesting conversation pieces, and can add a splash of color to any room. If butterflies aren’t for you Nature’s Art Village also carries elephant beetles, tarantulas, and even bats in framed glass! Visit The Shops at Nature’s Art Village on Route 85 in Montville, Connecticut to see our full selection of amazing and unique gifts.

Bausch and Lomb Company – 1853

The Bausch and Lomb Company began in 1853 when German immigrant John Jacob Bausch opened a small optical goods store in Rochester, New York. He soon partnered with Henry Lomb, a friend who had loaned him money while starting out. The company began selling hard rubber eyeglass frames made from vulcanized rubber, a new revolutionary material at the time. In 1883, it was John Jacob Bausch’s son Edward Bausch that produced the first photographic lens. In 1912 John Jacob’s other son, William Bausch, became the first producer of optical quality glass in the United States. The company manufactured 40,000 pounds of glass over the next decade to be used during World War I for binoculars, rifle scopes, telescopes and searchlights.

In 1911, the Bausch and Lomb Company produced their version of a magic lantern called the balopticon, the precursor to the overhead projector. These easy-to-operate lanterns used 400 watt gas mazda lamps with an internal chamber insulated with asbestos. They used transparent slides and reflective light to project still images on screens or walls. The projectors became popular among teachers, professors, scientists and artists.

The name balopticon comes from combining “ba” from Bausch, “lo” from Lomb, “opti” from optical, “co” for company and adding an “n”. The 1927 model used a 600 watt lamp providing enough illumination to shine an image up to 12 feet in width on a surface. A spherical glass reflector was attached directly to the lamp bulb for greatest efficiency. A 1911 catalog advertises the balopticon for $22, and by 1927 the machines cost between $50 and $75.

The PAST Antiques Marketplace at Nature’s Art Village has a 1911 Bausch and Lomb balopticon double lens dissolving projector. Dual lenses were used at angles allowing projected images to overlap, as well as providing the ability to have images fade in and out. In addition, The Gateway Museum at Nature’s Art Village has an extensive collection of antique photography and projection equipment on display in the “Snap Shot Photography” exhibit. Visit The PAST Antiques on Route 85 in Montville, Connecticut to see our full selection of antiques and vintage collectibles.

Check back next week for a new Throwback Thursday post.

History of Ironing

Today’s Throwback Thursday is a “De-Wrinkle” in time! We’re discussing the history of ironing. It is quite difficult for modern historians to determine the exact date of when humankind began to press and smooth cloth; however, most sources point to China as being the forebearers of ironing as we know it today. The ancient Chinese used pans of iron or bronze to press stretched cloth, and this practice was quite common by the time of Late Antiquity (284-632 AD).

Moving forward a half-century, evidence of primitive ironing techniques started appearing in late Middle Age Europe. Blacksmiths began forging basic flat irons, generally made of iron or stone, with some eastern examples made of terracotta or soapstone. All of these irons were heated by an open fire or stove, and the laundress had to be wary of soot, embers, and temperature in order to avoid scorching of the cloth.

During the 18th and 19th centuries, flat or “sad” irons became typical in western households. These were manufactured in many different styles. The term “sad” is an Old English word for “solid”, distinguishing the heavier irons from the flat irons. To iron effectively, the laundress had to use two irons; one in use for pressing, and the other re-heating. In some laundries and larger homes a special stove was implemented, the sad iron stove, and was able to heat several irons at once by aligning the irons around the trunk of the stove in inserts.

These early irons had difficultly retaining heat, so the “charcoal” or “box” irons were invented in the 18th century, allowing the iron to stay warm longer. These “box” irons were essentially a lidded container, which would be filled with hot embers from a fire or brazier, and used air vents to let the smoke escape while continuing to smolder.

“Chimney” irons, where a small chimney was added on the side of the sad iron to keep the smoke away from the user’s face or clothes, were also produced in the 19th century. Throughout the 19th century, many clever inventors patented various styles and designs of the sad iron, including early crude steam irons with mounted water tanks. The most important aspect our generation must realize about laundering is the incredibly grueling task it was to iron before the advent of electricity. Fires had to be stoked and tended to all day by servants and it became customary in colonial America that Mondays were “wash-day” and Tuesdays “ironing-day”.

The Gateway Museum at Nature’s Art Village hosts a number of sad irons, flat irons, trivets, washing machines and devices, all housed in our Laundry Shop exhibit. The PAST Antiques Marketplace at Nature’s Art Village also features an assortment of laundry related antiques and collectibles. To learn more about the history of laundry and ironing, please visit our massive collection on Route 85 in Montville, Connecticut!

Check back next week for a new Throwback Thursday post.

Breyer Horses

In the year 1950, the Breyer Molding Company made its first horse to adorn a custom order mantelpiece clock for the F.W. Woolworth Company. Once the public got their first look at the stunning craftsmanship of the horse, orders started pouring in. However, these customers didn’t want the clock, just the horses. It was at this moment, the founders took their company in a whole new direction and became Breyer Animal Creations.

Today, the Breyer division of Reeves International is the largest producer of porcelain, plastic and resin model horses and accessories for play and collecting. Each model horse begins as an artist’s sketch and is then handcrafted and hand painted using airbrushes and paint brushes. Today, each horse is worked on by approximately 20 different artists just as it was 67 years ago which is why even now, no two models are ever exactly alike!

The Breyer Company introduces approximately 300 new unique horses, animals and accessories to the market each year, and starting in 1998 they widened their market base to include movies. The company has become the “go to” company in Hollywood for all horse related movies.

The Shops at Nature’s Art Village just received a large collection of Breyer horses. Visit Nature’s Art Village on Route 85 in Montville, Connecticut to see our full selection of toys and gifts.

Coca-Cola – 1886

This week’s Throwback Thursday is all about the world renowned Coca-Cola Company! Founded in 1886 by Dr. John S. Pemberton, the beverage that is bought by millions every day started as an experimental drink sold in a local Atlanta pharmacy. In an attempt to popularize the drink, Pemberton’s friend and bookkeeper, Frank Mason Robinson, handed out coupons for free beverages. He also created the recognizable Coca-Cola logo in 1885.

Dr. Pemberton died two short years after starting his famous company, and never got to see his legacy that still lives on. As popularity grew, Coca-Cola wanted to serve even more groups of people. Rabbi Tobias Geffen of Atlanta kept receiving questions from other rabbis across the country inquiring if Coca-Cola was kosher for year-round consumption. The company provided him with the secret Coca-Cola formula, just as long as he kept the ingredients to himself. He saw that the beverage was made with tallow, or beef fat, as well as a grain that was not permissible during the Jewish holiday Passover, and suggested the company change them to vegetable-based kosher ingredients. The formula was tweaked, and in 1935, Coca-Cola was certified kosher.

Starting in 1915, the company wanted to filter out competition by manufacturing the same bottles all across the board. There were a lot of different and unique designs; some original bottles for the drink had a wide middle with a smaller base. Coca-Cola continued to toy with different designs until the final bottle was patented with the base wider than the middle and the top; or the “contour bottle” as the company calls it.

Cans of Coke started being manufactured in 1955. In the late 2000’s, Coca-Cola glasses were introduced, as well as aluminum Coca-Cola bottles, which were later used for their “Share a Coke” advertising campaign. Many vintage Coca-Cola bottles can be found at The PAST Antiques Marketplace!

Coca-Cola has experimented with many different flavor combinations in the past, and still are coming up with new ones! There are the standard Coke, Diet Coke, Caffeine-Free Coke and Coke Zero, as well as flavored ones like Cherry, Lime, and Vanilla still in production, and fairly new ones such as Coca-Cola Life and Coca-Cola Ginger. The Coca-Cola Company has filtered out flavors like Lemon, Orange, Raspberry, and Black Cherry Vanilla, though some are still available in Coca-Cola Freestyle machines, which can be found in many chain restaurants across the country.

Coca-Cola, as of today, is a billion dollar franchise that hosts many more of our favorite beverages under their company name. The PAST Antiques Marketplace at Nature’s Art Village holds many Coca-Cola Company antiques and collectibles including signs, bottles, and more! To learn more information on The Coca-Cola Company and to browse our full selection of antiques and collectibles, visit The PAST Antiques Marketplace at Nature’s Art Village on Route 85 in Montville, Connecticut!

Check back next week for a new Throwback Thursday post.

Himalayan SaltMay 15, 2017

Himalayan Salt: A Gift from an Ancient Sea

Pink Himalayan Salt is widely used today in lamps (shown above), as a spice, and cosmetically. It is said to have positive therapeutic properties. Most people know this salt is from the Himalayan region of Asia, but not many people know why so much salt is found in some of the highest mountains on Earth; nor do they realize that the salt is mined in northeast Pakistan at the foothills of these great mountains.

Scientists estimate that the salt deposit was formed 800 million years ago when tectonic shifts caused mountains to trap a shallow inland sea. As the water slowly evaporated the salt and other minerals were left behind in a large deposit that was later buried. The salt deposit was discovered by soldiers of Alexander the Great in 326 BCE when their tired horses started licking rocks in the area. The salt was used by the small communities in this mountain region until the late 1500’s when Emperor Akbar began the standardization of the salt mines and used the mineral as a trading commodity.

In 1827, the Dome and Pillar method of salt mining was introduced by the British. This method leaves 50% of the salt in each room (or Dome) in order to support the mine and mountain, making the mines safer for the workers.

Thousands of tourists visit the salt mines each year. There are six working mines in the region and they stretch all along the 186-mile salt deposit. All the mines still utilize the Dome and Pillar method of mining and the standards put forth by Emperor Akbar in the 1500’s! Because of these techniques, the environmental impact of the mining is negligible.  The salt is left in its natural state, and nothing is added or taken away.  All the work is done by hand in the traditional manner so the salt stays pure.

The Shops at Nature’s Art Village carry a unique selection of Himalayan Salt Lamps as well as many other Himalayan Salt Products for sale. It is believed that the lamps emit negative ions into the air, attracting harmful positive ions; and thus purifying the air. They make wonderful gifts and beautiful additions to any home. Visit Nature’s Art Village on Route 85 in Montville, Connecticut to see our full selection of gifts and home décor accessories.